Digital Cine Lenses

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Elevate your filmmaking with our range of digital cine lenses at Videoguys Australia. Featuring top-quality cinema primes, zooms, and anamorphic sets in PL/EF/LPL mounts—ideal for independent filmmakers, gimbal work, drones, and feature-length productions. Featured Cine Lenses DZOFilm VESPID 12 mm T2.8 Prime (PL/EF) VESPID 12mm T2.8 : Compact and lightweight for full‑frame cinematography, with 270° focus rotation and an 80mm front diameter [oai_citation:0‡videoguys.com.au](https://videoguys.com.au/products/dzofilm-vespid-12mm-t2-8-cine-lens-pl-and-ef-mounts?utm_source=chatgpt.com). DZOFilm Pictor 20‑55 mm T2.8 Super35 Zoom Pictor 20‑55mm T2.8 Zoom : Crisp parfocal zoom with matching iris gears—available in PL and EF mounts for smooth on‑set use . DZOFilm Arles 14 mm T1.4 Prime (PL) Arles 14mm T1.4 : Full‑frame PL mount prime featuring a 16‑blade iris, 0.8 mod gear, and painterly bokeh in a 95 mm housing . DZOFilm Arles Full‑Frame Prime 5‑Lens Kit Arles Prime 5‑Lens Kit : Includes 25, 35, 50, 75 & 100 mm T1.4 primes with 16‑blade iris and cine-standard gearing—all in one case . DZOFilm Arles Full‑Frame Prime 8‑Lens Kit Arles Prime 8‑Lens Kit : Expanded to include 14, 21, 40, 135, & 180mm—complete full-frame set with consistent optical design . Why Choose Digital Cine Lenses? Cinematic Image Quality True T‑Stop Apertures: Accurate exposure control with T1.4–T2.8 stops and smooth focus transitions. Consistent Gearing & Front Elements: 0.8 MOD gearing, same iris/focus mechanics, easy matte box swapping . Built for Production Rugged Construction: Durable mount options (PL/EF), metal housings, weather sealing, and cine markings. Parfocal Zooms: Maintain focus while zooming—essential for follow focus and repeatable shots. Flexible Use Cases Full-Frame & S35 Coverage: Suitable for everything from drone and gimbal rigs to full-scale cinema work. Anamorphic Style & Kit Options: Use primes alone or upgrade with anamorphic kits for cinematic flare. Explore o